Nik Sharpener Pro 3.0 is the most advanced and powerful sharpening solution eliminating the guesswork typically required for achieving superior and consistent results.

New adaptive sharpening algorithms and award-winning U Point® technology for selective sharpening ensure desired sharpness or creative softening of details are easily accomplished. The Sharpening Soft Proof that lets you accurately inspect results before printing saving money in costly test prints, improved handling of new output devices, and new output presets provide repeatable, professional results.


Sharpener Pro 3.0 is the only tool that provides controls for both output and creative detail sharpening of different objects quickly and easily without the need to make different adjustment layers for each object or area.

A recognized leader in digital imaging technology, Nik Software has developed class-leading solutions to specific challenges photographers face when sharpening images throughout the photographic workflow and packaged them in one convenient toolset. Use Sharpener Pro 3.0 to regain clarity in digital images, draw the viewer’s attention to the focal point of an image and archive professional, high quality sharpened images every time.

Features:

• U Point Powered Control Points—Enables precise, selective sharpening control
• Output Sharpening—Provides the ultimate control to create perfectly sharpened images on all devices and media types such as display, inkjet, continuous tone, half tone, and hybrid tone
• Creative Sharpening—Enhances fine details and textures with new structure, focus, and local contrast tools for drawing attention to desired areas within the image
• Industry-First Sharpening Soft Proof—Allows detailed inspection of sharpening results on screen before printing, eliminating costly test prints
• Output Presets—Enables custom settings to be saved for consistent, professional results
• RAW Presharpener—Retains and enhances sharp details within images without amplifying noise and other artifacts
• Powerful Selective Tool (Photoshop only)—Enables the use of Photoshop’s brush tools to paint in sharpening selectively
• Smart Filter Support (Photoshop only)—Provides compatibility with Adobe Photoshop’s Smart Objects enabling adjustments to sharpening after Sharpener Pro has been applied
• Multi-Image Support (Aperture only)—Provides compatibility with Aperture’s multi-image support, allowing photographers to easily copy and paste settings between images to maintain consistency.

You can try this plugins by downloading at here.

Nik Software Color Efex Pro 3.100-3528 Complete Edition filters are the leading photographic filters used by today's top professionals in digital photography. With over 250 effects and styles and 30+ emulated film types in 52 easy-to-use filters, Color Efex Pro 3.1 CE is the most comprehensive set of filters for color correction, retouching and creative enhancements available today. Now includes compatibility with Adobe Photoshop and Adobe Photoshop Elements.

Nik Software Color Efex Pro 3.1 filters are the leading photographic filters for digital photography. The award-winning Color Efex Pro 3.1 filters are widely used by many of today's professional photographers around the world to save time and get professional level results.


Whether you choose the Complete Edition, Select, or Standard Edition, you get traditional and stylizing filters that offer virtually endless possibilities to enhance and transform images quickly and easily.

Patented U Point technology provides the ultimate control to selectively apply enhancements without the need for any complicated masks, layers or selections. Control color, light and tonality in your images and create unique enhancements with professional results. With 52 filters and over 250 effects found in Color Efex Pro 3.1 you can perform high quality retouching, color correction and endless creative enhancements to your photographs.

Updates to old favorites such as Classical Soft Focus, Darken/Lighten Center, and Vignette filters are joined by exciting new filters Bleach Bypass, Cross Balance, Film Effects, Film Grain, Glamour Glow, High Key, Low Key, Polaroid Transfer, and Tonal Enhancer, and more. The result is nothing less than the most complete, most useful collection of photographic filters you can add to your toolkit.


Nik Software product filters are developed to integrate seamlessly into many popular image editing applications that support the Adobe Photoshop plug-in architecture and there are numerous software applications that accept Adobe Photoshop plug-in compatible filters. Please consult your image editing application’s documentation for compatibility and installation instructions for 3rd-party plug-ins.

Included filters:
Brilliance/Warmth, Burnt Sienna, Color Stylizer, Contrast Only Detail Stylizer, Graduated Filters, Ink, Old Photo, Pastel, Polarization, Remove Color Cast, Saturation Stylizer, Skylight Filter, Solarization, Sunshine, B/W Conversion, Bi-Color Filters, Bi-Color User Defined, Bleach Bypass, Classical Soft Focus Colorize, Contrast Color Range, Darken/Lighten Center, Film Grain, Flux, Graduated Neutral Density, Graduated User Defined, Infrared Thermal Camera, Midnight, Monday Morning, Paper Toner, Photo Stylizer, Vignette, Vignette Blur, White Neutralizer, Cross Balance, Cross Processing, Duplex, Dynamic Skin Softener, Film Effects, Fog, Foliage, Glamour Glow, Graduated Fog, High Key, Indian Summer, Infrared Film, Low Key, Polaroid Transfer, Pro , Contrast, Reflector Effects, Tonal Contrast.

System Requirements:

• Windows 2000 Professional, Windows XP Home Edition, Windows XP Professional, Windows Vista
• Pentium III 1GHz or better with 256 MB RAM
• Adobe Photoshop 7 through CS3, Adobe Photoshop Elements 2.0 through 6.0, or Adobe Photoshop plug-in compatible application

Nik Software product filters are developed to integrate seamlessly into many popular image editing applications that support the Adobe plug-in architecture and there are numerous software applications that accept Adobe plug-in compatible filters. Please consult your image editing application’s documentation for compatibility and installation instructions for 3rd-party plug-ins.

For more info and download visit the developer's site.

Nik Software Color Efex Pro™ 3.0 filters are the leading photographic filters for digital photography. The award-winning Color Efex Pro 3.0 filters are widely used by many of today's professional photographers around the world to save time and get professional level results. Whether you choose the Complete Edition, Select, or Standard Edition, you’ll get traditional and stylizing filters that offer virtually endless possibilities to enhance and transform images quickly and easily.


Updates to old favorites such as Classical Soft Focus, Darken/Lighten Center, and Vignette filters are joined by exciting new filters Film Effects, Glamour Glow, High Key, Selective Contrast, Bleach Bypass, and more. See the full filter list with sample images here. The result is nothing less than the most complete, most useful collection of photographic filters you can add to your toolkit.

Patented U Point technology provides the ultimate control to selectively apply enhancements without the need for any complicated masks, layers or selections. Control color, light and tonality in your images and create unique enhancements with professional results. With 52 filters and over 250 effects found in Color Efex Pro 3.0 you can perform high quality retouching, color correction and endless creative enhancements to your photographs.

Features:

Color Efex Pro 3.0
Nik Color Efex Pro 3.0 has been significantly updated to provide photo enthusiasts and professional photographers alike with the most powerful yet easy to use set of photographic filters ever created. DSLR owners will revel in the wide range of quick and easy fixes to dramatically improve their photos with just a few clicks of the mouse. Professional wedding, nature, commercial, and portrait photographers will appreciate the speed of workflow and advanced features designed to support uniquely creative styles and deliver class-leading power.

U Point® Technology
U Point powered Control Points make it easy to selectively add, modify and remove a Filter effect using convenient sliders. Award-winning U Point technology gives you ultimate control to selectively apply enhancements without the need for any complicated masks, layers or selections.

New Filters
The new filters in Color Efex Pro 3.0 range from creative enhancements and special effects to re-touching tools and over 30 conventional film emulation filter effects. New filters include Film Grain, Film Effect, Glamour Glow, Selective Contrast, High Key, Low Key, Polaroid Transfer, Cross Balance filters, and more. Previously available filters have also been updated to provide even more options. Click here to see a complete list of filters, descriptions and before/after samples.

New Interface
The new resizable interface lets you easily accommodate large monitor configurations, preview before and after results, and quickly access the entire range of unique tools to match your workflow.

Powerful Selective Tool
Unique among photographic filter software on the market today, the Color Efex Pro 3.0 Selective Tool allows you to quickly and easily brush any filter effect into your image. Layers and masks are created automatically, so you are free to create and experiment unfettered.


System Requirements:

• Windows 2000 Professional, Windows XP Home Edition, Windows XP Professional, Windows Vista
• Pentium III 1GHz or better
• 256 MB RAM
• Adobe Photoshop 7 through CS3, Adobe Photoshop Elements 2.0 through 6.0, or other Adobe Photoshop plug-in compatible Application

More information and download link can be found at here.

For digital artist, noise is a serious problem in digital imaging. In digital photography, the consumer and prosumer-level cameras produce images with an easily noticeable noise component, which is especially strong in images taken at high ISO rates. Scanned photos contain a similar film grain component. The noise and grain reduce the visual quality of digital images and resulting printouts.

The solution to the noise problem is Neat Image. Neat Image is a digital filter specifically designed to reduce visible noise in digital photographic images produced by modern digital cameras, as well as film and flatbed scanners.



Three main reasons to choose Neat Image:

1. Quality Of Noise Reduction

Provided by Neat Image is higher than that of all other methods because: Neat Image uses the most advanced noise reduction algorithms in the industry.
Neat Image noise reduction algorithms are developed specifically for digital photography applications by a highly-qualified professional image processing research group. These algorithms surpass the quality of all classic noise reduction methods and even that of the wavelet-based methods. Although the wavelet-based methods were developed only 10-15 years ago and are still considered relatively modern, Neat Image uses an even newer and more efficient approach to noise reduction. This approach enables drawing a more clear distinction between noise and details in noisy images. This helps Neat Image reduce more noise and better preserve true image details in digital photos and scans.



Neat Image builds and uses device noise profiles to adapt noise reduction to imaging device.
A device noise profile is a reusable analysis of noise properties of an image acquisition device (a digital camera, scanner, etc.) working in a certain mode. Using a noise profile for an imaging device in effect makes Neat Image noise reduction custom-tailored to this imaging device.
Device noise profile is a novel concept originally introduced by Neat Image team and supported by Neat Image user community who create noise profiles for many digital cameras and scanners.



2. Rich Functionality And High Performance

With this feature, Neat Image enables both beginners and experienced users to easily achieve great results. Neat Image can be used in both Photoshop-centric and standalone workflow.

Photoshop plug-in version of Neat Image can apply noise reduction and sharpening exactly where is required: in a layer, channel, or selection. The plug-in fully respects transparency of image data like the Photoshop built-in filters do, so you can apply noise reduction with different strength to different image areas.

Neat Image plug-in can work as a smart filter in Photoshop CS3. Neat Image Pro+ plug-in can run in Photoshop actions and apply required analysis and filtration completely automatically. You can automatically batch process images using the Photoshop batch facility and an action with Neat Image Pro+ plug-in.

Neat Image plug-in can be used with the following plug-in hosts:

• Adobe Photoshop CS3 / CS3 Ext / CS2 / CS / 7 / 6 / 5
• Adobe Photoshop Elements 6 / 5 / 4 / 3 / 2
• Corel / Jasc Paint Shop Pro X2 / XI / X / 10 / 9 / 8 / 7
• Corel Photopaint 12 / X3
• Ulead PhotoImpact 12 / 11 / 10 / XL / 8
• PhotoLine32
• Microsoft Digital Image Suite 2006
• Microsoft Digital Image Pro
• Serif PhotoPlus
• IrfanView
• XnView
• and more ...

Neat Image standalone works directly with image files and can process many images at once using built-in queue / batch processing tools. Neat Image standalone supports command line interface and can be used as a part of a workflow based on command line batch processing.

Neat Image is highly automated. You can build noise profiles either automatically or manually. Auto Profiler provides the easiest and quickest way to automatically build a noise profile in just one click. You can also manually select an image area for analysis and let Neat Image do the rest.

Automatic and manual Fine-Tuning Analyzer together with manual Rough Noise Analyzer enable user-friendly semi-automatic and manual noise profiling when you want the complete control over the profiling process.

You can choose which noise profile to use either automatically or manually. Profile Matcher can automatically select the best matching noise profile from a ready-made set using the EXIF data of the input image.

You can manually select the desired noise profile as well. You can rely on default filter settings or manually adjust the filters
Based on accurate noise profile, default filter settings automatically deliver good filtration results without any additional tweaking.

Manual filter tweaking is always available too, if you want to get the result that looks perfect to your eyes. You can easily save and later re-use both noise profiles and filter settings.

Neat Image provides exactly the amount of control required:

• Standard mode offers a simplified control set that is very easy to use for new users.
• Advanced mode gives power users the most complete control set to tweak virtually all filter settings.
• Neat Image helps adjusting filter setting with efficient visual feedback.
• Embedded preview shows how the end result will look like and helps you visually compare 'before' and 'after' versions.
• Per-channel and per-frequency Component Viewer helps to identify noisy image components that require special attention; you can adjust the filter settings corresponding to these components and immediately see the results.
• Variant Selector helps to visually compare the filtration results obtained with several variants of filter settings and select the best variant.
• Full-size comparison of 'before' and 'after' images helps to check the final result before saving the output file in the standalone Neat Image.

Neat Image efficiently reduces most noise types typical for digital cameras, film and flatbed scanners:

• High ISO noise produced by image sensors of digital cameras and scanners (CCD, CMOS, SuperCCD, Foveon, etc.)
• Film grain visible in scanned slides and negatives
• JPEG artifacts in overcompressed images
• Grain aliasing
• Moire patterns
• Color banding

A useful side effect of Neat Image noise reduction is that noise-free images are better compressable. By reducing noise you can reduce the JPEG file sizes by 30-40% (even if the same compression level is used to save both noisy and noise-free images).

Neat Image v5.85 is able to utilize all available virtual and real cores in hyperthreading, dual-core and multi-core processors (like Core Duo or Core 2 Duo) as well as all processors in multiprocessor systems, which in effect makes filtration 1.5-1.9 times faster on dual-core / dual-processor systems and even faster on multi-core / multiprocessor machines.

Neat Image v5.85 processes an 8 Megapixel digital photo in about 6 seconds on Core Duo 2.0 GHz. This is two times faster than Neat Image v4, four times faster than v3, and ten times faster than v2.

Neat Image supports the industry standard image types and file formats 24-bit / 48-bit RGB and 8-bit / 16-bit grayscale images can be processed (individual channels of Lab and CMYK images can be processed by Neat Image plug-in as well). TIFF, JPEG and BMP file formats are supported in the standalone Neat Image. Any file format supported by Photoshop (or another used plug-in host) can be used with the Neat Image plug-in (for example, you can open a PSD, JPEG2000, RAW, DNG, etc., image in Photoshop and then directly process it with the Neat Image plug-in).

Neat Image preserves all image metadata (like the EXIF and IPTC data). Several tools and resources help you customize Neat Image to your digital camera or scanner. Rich set of free ready-made noise profiles available in the online profile library helps to start using Neat Image faster and easier

Calibration Target and Batch Profiler make building a set of noise profiles for your camera or scanner very simple.

More info and download trial version of this Photoshop filter can be found on its site.

Digital Film Lab simulates a variety of color and black and white photographic looks, diffusion and color grad camera filters, lighting gels, film stocks and optical lab processes. The power of the plug-in lies in its presets which can be loaded to achieve a variety of different effects. There are over 135 useful presets organized into black and white looks, color looks, diffusion, grain and temperature. Feel free to use our presets, modify them or create your own.


Features :

Color Correct
Color Correct manipulates the Black and White, Hue, Saturation, Brightness, Contrast, Gamma, Red, Green and Blue values of the image.

Diffusion
Diffusion creates atmosphere by reducing contrast while creating a glow around highlights or shadows. It simulates diffusion and fog filters as well aglows. In addition, a pre-built texture library allows you to add realistic diffusion
to scenes as if you were adding diffusion directly to your camera lens.

Color Grad
Color Grad colors and or darkens only a portion of the image giving you tability to simulate any Color Grad or ND (Neutral Density) Grad filter. Presefor your favorite color grad filters are provided as well as the ability to create

MAKING DIGITAL LOOK LIKE FILM
The quest to make video and digital images look like film has been going on f years now. Some have even grown entire businesses around this idea. Without making judgments as to which medium is "better" than the other, let’s switch the notion that video and film are completely different animals and both have their advantages and disadvantages. There are a number of factors to consider when attempting to achieve a film look: lighting, cameras and lenses, filters, depth of field, grain and frame rate. While some of these items are addressed during shooting, Digital Film Lab can simulate many of them digitally.

Lighting
In our opinion, the most important factor in achieving a film look is lighting. Don’t just blast a scene with light. Make sure that you employ modeling in yo lighting, making sure that the shadows have some detail and that you don’t completely blow out highlights. Video and digital cameras have a narrower contrast ratio than film and the limits of their brightness range are sharply defined, whereas film gently rolls off in the whites and blacks. Remember, you can always digitally make the shadows darker and the highlights brighter. Going in the opposite direction is murder and yields lousy results.

Cameras and Lenses
Another factor in achieving a film look is the video or digital camera. They frequently have their Detail or Sharpness settings cranked up. Detail controls the sharpness of the image and creates jagged, aliased edges. The first thing to do before shooting is to turn the Detail or Sharpness down. This can be accomplished by adjusting either a menu or pot inside the camera. Once turned down, it is harder to focus but will soften edges.Depth of field also plays a role in the way film is perceived and is a measure the amount of picture that is in focus. Video and digital cameras differ fro35mm film in that they have a much greater depth of field. This is a result of cameras CCD’s being physically smaller than 35mm film frames.

More info and trial download about this plugins can be found at the developer site.